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61 sheet music found
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51
The Story of a Leader
The Story of a Leader
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Choral SATB
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ADVANCED
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Classical
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04 ≈
14.04€
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Chamber Orchestra
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ADVANCED
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04 ≈
14.04€
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Chamber Orchestra
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ADVANCED
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02 ≈
4.69€
The Disqualification of Harry Semantix as Trial Juror for East County - for Sop. Sax. & Piano
The Disqualification of Harry Semantix as Trial Juror for East County - for Sop. Sax. & Piano
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2 Saxophones (duet)
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ADVANCED
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Igor Korneitchouk
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
#
SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 5 - SKU: A0.1129703 Composed by Igor Korneitchouk. Arranged by Igor Korneitchouk. 20th Century,Chamber,...
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Soprano Saxophone Duet Soprano Saxophone - Level 5 - SKU: A0.1129703 Composed by Igor Korneitchouk. Arranged by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score. 31 pages. Studio at the Post #730114. Published by Studio at the Post (A0.1129703). An arrangement for piano and soprano saxophone based on the quasi-concerto by the same name. Duration: 11 - 12 minutes, 18 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie?The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County. Separate sax part included.
$5.02 ≈
4.69€
'Round the World in a Rockin' Chair
'Round the World in a Rockin' Chair
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Banjo
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ADVANCED
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Bluegrass
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Contemporary
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Igor Korneitchouk
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'Round the World in a Rockin'
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Studio at the Post
#
SheetMusicPlus
Composed by Igor Korneitchouk. 20th Century,Contemporary,Folk. Individual part. 6 pages. Studio at the Post #744765. Published by Studio at the Post...
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Composed by Igor Korneitchouk. 20th Century,Contemporary,Folk. Individual part. 6 pages. Studio at the Post #744765. Published by Studio at the Post
$2.01 ≈
1.88€
touch me hear: a collection of conceptual compositions
touch me hear: a collection of conceptual compositions
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Igor Korneitchouk, Chad Mealey
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touch me hear: a collection of
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Studio at the Post
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SheetMusicPlus
Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. ...
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Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114). Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...” (to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audience”. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!
$5.02 ≈
4.69€
New Scrabble
New Scrabble
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Igor Korneitchouk
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New Scrabble
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Studio at the Post
#
SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.1122063 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and part. 23 pages. Studio at the Pos...
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Clarinet,Piano - Level 4 - SKU: A0.1122063 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and part. 23 pages. Studio at the Post #722997. Published by Studio at the Post (A0.1122063). Duration: between 11 - 15 min., 18 pp. Description: (According to the composer) In the clarinet/piano piece New Scrabble (1989) pungent words were selected for their strong associations and startling juxtapositions. These were derived in concert with the music that describes them, as an exercise in the force of negative space and dissociative/re-associative poetry. The arrangement of these words that the music describes represents a fixed manifestation of an open form experience, that involves a constant play between association and disassociation, even alienation. The music was written during a period of exploration into the aesthetics of silence, Japanese Zen gardens and line drawings, calligraphy, and Chinese poetry -- transplanted to the soil of my Euro-centric-American upbringing. Clarinet and piano read off score. included.
$5.02 ≈
4.69€
Seven Serapés for Six Pianos (Parts only)
Seven Serapés for Six Pianos (Parts only)
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Igor Korneitchouk
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Seven Serapés for Six Piano
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at...
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Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at the Post (A0.1124743). Parts only (see A725494 for Score). Duration: 22 – 24 minutes, Six Parts between 12 – 16 pp. Description: Each of the Serapés has a programmatic subtitle that gives the listener a hint as to how to listen. Serapés Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. Serapé No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. Serapé No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal Serapé No. 5, L.A. Smog, is rude. This Serapé starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, Serapé No. 6 is the most peaceful and static Serapé. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$5.02 ≈
4.69€
Seven Serapés for Six Pianos - Score Only
Seven Serapés for Six Pianos - Score Only
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Igor Korneitchouk
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Seven Serapés for Six Piano
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio a...
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Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio at the Post (A0.1125661). Score only (see A725501 for Parts). Duration: 22 – 24 minutes, 217 pp. reduced to 108 pp. Description: Each of the Serapés has a programmatic subtitle that gives the listener a hint as to how to listen. Serapés Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. Serapé No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. Serapé No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal Serapé No. 5, L.A. Smog, is rude. This Serapé starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, Serapé No. 6 is the most peaceful and static Serapé. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$9.03 ≈
8.43€
Heisenberg was looking for a raison d'être - Score Only
Heisenberg was looking for a raison d'être - Score Only
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Publis...
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Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Published by Studio at the Post (A0.1129011). Score only (see 729537 for Parts) Duration: 8 minutes, 19 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.” (He won the Nobel Prize in Physics in 1932.).
$9.03 ≈
8.43€
Heisenberg was looking for a raison d'être (Parts only)
Heisenberg was looking for a raison d'être (Parts only)
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at the Post #729537. Published by Studio at the Post (A0.1129014). Parts only (see A729534 for Score) Duration: 8 minutes, 5 Parts (2 violins, viola, cello, piano) with individual directions, parts averaging 5 – 7 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.” (He won the Nobel Prize in Physics in 1932.).
$5.02 ≈
4.69€
Triptych for String Orchestra (Parts only)
Triptych for String Orchestra (Parts only)
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Igor Korneitchouk
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Triptych for String Orchestra
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Studio at the Post
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published b...
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String Orchestra - Level 5 - SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published by Studio at the Post (A0.1365113). Parts only (see A879420 for Score). Duration: 18 - 19 min., 5 ensemble parts and 5 solo parts, average 9 pp each. Description: Triptych for String Orchestra sets up three contrasting musical tableaux in as many different genres. Though this approach is often called post-modern, the composer prefers to see it as an indulgence of the many types of music he enjoys. The work opens with a free form improvisatory movement whose sour romanticism comes from its rich chromatic palette. The second movement is in many ways the opposite of the first. It is a very tightly constrained serial work where the parameters of rhythm, inflection, and dynamics, not just pitch, get a full serial workout of permutations. The third and finale movement, then can be seen as a happy medium between the two extremes of the previous movements. It's in the form of an episodic Dionysian romp that alternates between expositions of an ever more shrill theme with puckish episodes of varied quasi-ad lib solos embedded in coloristic texture. There are three movements, Chroma - The Academy - Rock.
$5.02 ≈
4.69€
Three Haiku and a Poem - Score Only
Three Haiku and a Poem - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Igor Korneitchouk
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Three Haiku and a Poem - Score
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Published by Studio at the Post (A0.1287580). Score only (see A878605 for parts). Duration: 8 min., Score 26 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$15.04 ≈
14.04€
Three Haiku and a Poem (Parts only)
Three Haiku and a Poem (Parts only)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Igor Korneitchouk
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Three Haiku and a Poem
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the...
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Chamber Orchestra - Level 4 - SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$5.02 ≈
4.69€
Japanese Garden
Japanese Garden
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Igor Korneitchouk
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Japanese Garden
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Studio at the Post
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Piccolo - Level 5 - SKU: A0.1139673 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 89 pages. Studio...
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Acoustic Guitar,Instrumental Duet,Piccolo - Level 5 - SKU: A0.1139673 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 89 pages. Studio at the Post #739944. Published by Studio at the Post (A0.1139673). Duration: 15 minutes, 26 pp. Description: Imagine a sound-space defined in time; a general silence populated and delimited by short sonic events. These sonic events, played by the two performers (alto flute doubling piccolo and guitar), comprise the semi-flexible score of Japanese Garden and are to be arranged, within the guidelines presented, like the rocks and plants of a traditional Japanese garden. They are to be arranged with a keen ear for the distant inter-relationships, both temporal and contrapuntal, between the various sound events. Solo parts included; duet otherwise reads off score. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$5.02 ≈
4.69€
Grid
Grid
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Guitar
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ADVANCED
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Contemporary
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Igor Korneitchouk
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Grid
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Studio at the Post
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. ...
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Solo Guitar - Level 5 - SKU: A0.1124418 Composed by Igor Korneitchouk. 20th Century,Contemporary. Individual part. 5 pages. Studio at the Post #723409. Published by Studio at the Post (A0.1124418). Duration: 8 - 9 minutes, 3 pp. Description: The structure of Grid (Cynosure) is made up of several overlapping processes, of which the descending voice leading is but the easiest to discern. Shifting harmonies become an artifact of the individual descending voices, while the ebb and flow of these harmonies leads to the perception of windows of consonance — or harmonic nodes in C major, A major and E major. Simultaneously, the listener's temporal reference shifts gears in a process of continually augmenting pulses, changing the listener's perception of time and tempo. There is, then, a counterpoint between three different elemental processes: a melodic process, a harmonic process and a temporal process, which all co-operate to create the work's movement from tension to repose. Cynosure : noun, a person or thing that is the center of attention or admiration (the Queen was the cynosure of all eyes); from Latin cynosura, from Greek kunosoura ‘dog's tail’ (also ‘Ursa Minor’ ), from ku!n, kun- ‘dog’ + oura ‘tail.’ The term originally denoted the constellation Ursa Minor, or the star Polaris that it contains, long used as a guide by navigators.
$2.01 ≈
1.88€
kare sansui
kare sansui
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Igor Korneitchouk
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kare sansui
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Studio at the Post
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SheetMusicPlus
Mixed Percussion Acoustic Guitar,Violin - Level 4 - SKU: A0.1141735 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 44 pages. Studio a...
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Mixed Percussion Acoustic Guitar,Violin - Level 4 - SKU: A0.1141735 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 44 pages. Studio at the Post #742121. Published by Studio at the Post (A0.1141735). Duration: 9 minutes, 28pp. Description: Imagine a sound-space defined in time; a general silence populated and delimited by short sonic events. These sonic events, played by the three performers (violinist, guitarist, percussionist), comprise the semi-flexible open-form score of kare sansui and are to be arranged like the rocks of a traditional Japanese karesansui garden. They are to be arranged with a keen ear for the distant inter-relationships, both temporal and contrapuntal, between the various sound events. Solo parts included; ensemble otherwise reads off score. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$5.02 ≈
4.69€
Semantic Études 1 & 2
Semantic Ãtudes 1 & 2
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Igor Korneitchouk
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Semantic Ãtudes 1 & 2
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 5 - SKU: A0.1147430 Composed by Igor Korneitchouk. 21st Century,Contemporary. Individual part. 8 pages. Studio at th...
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Instrumental Solo,Saxophone - Level 5 - SKU: A0.1147430 Composed by Igor Korneitchouk. 21st Century,Contemporary. Individual part. 8 pages. Studio at the Post #747654. Published by Studio at the Post (A0.1147430). Duration: 10 – 11 minutes, 7 pp. Description: Each étude is for a different saxophone requiring the soloist to take a break and switch instruments. The first is for alto (or potentially baritone) sax, the second for either tenor or soprano. The études use a minimalist approach of adding and subtracting notes to create their continuous stream of “musical consciousness”. The composer created these études in the process of writing his de facto saxophone concerto “The Disqualification of Harry Semantix as Trial Juror for East County” (such score also available for saxophone and chamber orchestra, or saxophone and piano).
$2.01 ≈
1.88€
Birthday Suit
Birthday Suit
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Contemporary
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Igor Korneitchouk
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Drake Mabry, Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20t...
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01 ≈
1.88€
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